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42 UMMA Objects
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A nude woman and boy are intertwined in an embrace. She is kneeling with her right arm raised and bent, finger pointing upwards, and the boy reaches around her and fondles her breast. The woman is holding a gold sphere in her left hand and they are on a pile of textiles. 
Dotty Attie (American (North American))
Mother's Kisses
1982
Museum Purchase
1993/1.115.1
This print shows a close up of a hand holding a golden sphere. The background is bluish-grey drapery. 
Dotty Attie (American (North American))
Mother's Kisses: detail of hand holding orb
1982
Museum Purchase
1993/1.115.12
This print shows a foot in profile, and upside down. Fabric is draped across the background.
Dotty Attie (American (North American))
Mother's Kisses: detail of foot on fabric
1982
Museum Purchase
1993/1.115.18
This print shows a foot in profile.
Dotty Attie (American (North American))
Mother's Kisses: detail of son's foot
1982
Museum Purchase
1993/1.115.20
This print shows a block of text that reads, "SOON IT WOULD BE TIME TO LEAVE THE BOSOM OF HIS FAMILY," on white paper in a square mat.
Dotty Attie (American (North American))
Mother's Kisses: SOON IT WOULD BE TIME TO LEAVE THE BOSOM OF HIS FAMILY
1982
Museum Purchase
1993/1.115.21
This print shows a detail of a navel and stomach.
Dotty Attie (American (North American))
Mother's Kisses: detail of navel
1982
Museum Purchase
1993/1.115.22
This print shows the detail of an ankle joint and heel in profile. Fabric is draped in the background.
Dotty Attie (American (North American))
Mother's Kisses: detail of ankle
1982
Museum Purchase
1993/1.115.25
This print shows a block of text that reads, "HE WAS MUCH ENVIED BY THOSE WHOSE UPBRINGING HAD FOLLOWED SOMEWHAT STRICTER PRECEPTS," centered on white paper within a square mat.
Dotty Attie (American (North American))
Mother's Kisses: HE WAS MUCH ENVIED BY THOSE WHOSE UPBRINGING HAD FOLLOWED SOMEW
1982
Museum Purchase
1993/1.115.7
A white marble statue of a young female figure, leaning forward holding a staff with eyes closed, her left hand held up to her right ear. A flowing, wind-swept garment drapes the figure. On the base to the left of the figure is a broken capital of a Corinthian column lying on its side.
Randolph Rogers (American (North American))
Nydia, the Blind Flower Girl of Pompeii
1861
Gift of Rogers Art Association
1862.1
An engraving depicting a man sitting below an apple tree and conversing with a human-headed serpent. He is observed by a woman in drapery and a man who appears to be running away. In the distance there is a large fortified city.
Marcantonio Raimondi (Italian (culture or style))
Serpent Speaking to a Young Man
1500 – 1515
Gift of Professor Walter M. and Nesta R. Spink
2013/2.576
A bust of a pensive female figure enrobed in drapery is encased in a medallion.  It is above a sketched scene with multiple figures in an interior space, who surround a man lying in a bed that is enframed by a garland of foliage.
Jean Baptiste Raphaël Urbain Massard (French (culture or style))
Étude du tableau de la dame de Charité
1772
Gift of Professor Walter M. and Nesta R. Spink
2012/2.176
White marble sculpture of female figure, partially nude with a cloth draped loosely around her waist and over her left forearm. She holds a cluster of flowers in her left hand, and a single bloom in her right; a basket of flowers located on base to left and slightly behind figure.
Richard James Wyatt
Flora
1850
Gift of Albert M. Todd
1931.17
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